

| Season One | |
| A Clubbable Woman | |
| slashiness:
5/10 Adherence to novel: 8/10 |
PLOT The wife of one of Wetherton Rugby Club's most distinguished members is murdered. Enter Dalziel, his loyal sergeant Wield and newcomer Peter Pascoe. COMMENTS Their first outing together. Some accused them of having no chemistry and although there are no "Hey!" moments, there are one or two wonderful lines and scenes. Jacko's "I didn't know you'd brought the missus" and Andy's answer to Jacko's "There's one in every club, isn't there?" "What, a smooth-talking graduate copper?" Pascoe's cute, innocent little smiles are later missed as he becomes world-weary, but there are many of them here. The chemistry is brewing between them, after all, it had to start somewhere. Note that the story "The Last National Service Man" (from 'Asking For The Moon') details their very first meeting as they are held hostage by Tankie Trotter. |
| An Advancement Of Learning | |
| slashiness:
6/10 Adherence to novel: 5/10 |
PLOT A skeleton is found under a statue at the college where a young Ellie Soper is working as a lecturer. Dalziel, Wieldy and Pascoe move in, enjoying a slice of university life, mixing with students and lecturers alike - new and old - in order to find out how the body of a woman could be found under her own memorial statue. COMMENTS The BBC have already introduced us to Ellie, but this is the book in which she's first brought to our attention. Andy's line at the start, when he finds out they're heading for the college in which she teaches is "so where am I going to sleep?" suggesting to a questioning mind that had it not been for Ellie they might have slept... together? Perhaps it's still too early. Pascoe goes lusting after his woman and Wieldy's left to do most of the detecting with Dalziel. Still, they've been together a while haven't they? The ease of Wieldy and Peter is highlighted here, although as the series progresses the sergeant's loyalty is clearly to Dalziel, while perhaps the novels have a different slant. |
| An April Shroud | |
| slashiness:
6/10 Adherence to novel: 6/10 |
PLOT Ellie and Peter get married and after the wedding Andy takes a vacation in an unlikely spot - the home of a strange family who are experiencing some problems getting their mediaeval dining experience up and running as members of the family start dropping dead. COMMENTS You wouldn't have thought there'd be much to go on with Peter on his honeymoon, but Ellie comes up with the classic lines at the start, "You've become an obsession with him, I'm not saying he fancies you but...." which she reiterates at the end, " I was right, wasn't I? You go on honeymoon, he goes off the rails." The wedding scenes are touching with Andy's speech, "I would say, I know the lad better than anyone..." This is one of my favourite of the novels, and so I wasn't totally taken with the episode, but worth watching on a wet afternoon. |
| Season Two | |
| Ruling Passion | |
| slashiness:
9/10 Adherence to novel: 9/10 |
PLOT Ellie and Peter leave Wetherton for the weekend to stay with friends, but when they arrive three are dead and one's vanished. Peter gets embroiled in the complications of village life while popping back to get his promotion and help Andy find a burglar and a killer. Even Ellie gets in on the detective action, just before Rosie is born and Andy's asked to be godfather. COMMENTS Okay - the phone call. Perhaps this is the first episode in which Peter becomes Sunbeam. Andy's call to Peter just after he's found the bodies is gorgeous. Andy's own brand of TLC is perfect throughtout the episode. His line to the estate agent, "You told my lovely sergeant here..." is fantastic, and his suggesting they call one another by first names is wonderful. I love this episode because it's full of actors from "The High Life", but it's worth its weight in slashy gold. |
| A Killing Kindness | |
| slashiness:
7/10 Adherence to novel: 8/10 |
PLOT Peter involves a psychic in a murder investigation that leads from a fairground to a flight school. COMMENT Watching this makes you wonder if they've had a lover's tiff which hasn't been shown. Andy takes every opportunity to insult Peter, to badger him about one thing or another. I think Andy's the most insecure person in the world and he needs to convince himself that whatever happens, his inspector will remain at his side. The gypsy fortune teller reading Peter's palm tells him, "There're two powerful influences fighting for control over you. A strong-willed woman, and a determined older man?" Andy's peeking in on Peter in the shower is brilliant, and their shared looks of affection through Rosie's christening at the end make the heart sing. Why do they share that glance when Andy's complaining about having had to renounce all pleasures of the flesh...? |
| Deadheads | |
| slashiness:
8/10 Adherence to novel: 8/10 |
This episode is a gem. For
those who think Wieldy
and Peter would make a great couple, Deadheads gives them every
chance. But let's start at the beginning. Andy's "why
can't you be more like Sergeant Wield?" to Peter. Peter's
hurt
expression just makes you want to cuddle him! But Dalziel has to
go to a conference, leaving Peter and Wieldy to their own
devices.
Peter's always a miserable git when Andy's away, have you
noticed?
Presumably because he's not getting any.... Wieldy has the
sexiest voice, and his and Peter's summary of the
murders
scene is gorgeous, esp. his comment to Peter, "Fat man's
still here in spirit". The interaction between Andy and
Peter,
especially at Elgood's BBQ where they're standing close together
drinking,
is brilliant and gently sexy, and the book's references to Wieldy's
attraction
to Cadet Singhe are thankfully played subtley and beautifully. Redux - the party in Elgood's garden. Patrick (suggesting he and Peter call one another by their first names, looking at Daphne and Ellie): seeing as how are ladies are so close? Peter (looking not at his wife, but as his boss walking with Patrick's boss): and our lords |
| Exit Lines | |
| slashiness:
9/10 Adherence to novel: 6/10 |
The best, IMHO. Peter hurt
and upset by Andy's strange
behaviour, Andy getting pissy because Peter doesn't believe him, both
Ellie and Wieldy trying to reassure Peter that Dalziel wouldn't do
anything bent, Andy trying to straighten things out in his own useless
way.... The tension builds through the whole episode until at the
end, even
as he knows he's in the shit for wrecking the whole drugs bust, Peter
stands relieved and proudly at Dalziel's side and refuses to budge. The
fact he's cocked up never seems to bother him. He's back with
Andy,
whose actions have been explained to his satisfaction. The last
scene, Peter talking Andy into coming back to work, is lovely. The scene in the hotel when Peter goes there for dinner is different in the book. Peter as Andy's 'golden boy' is referred to, and the fact that he can get away with more around the big man than anyone else would dare. Redux Andy keeps trying to tell Peter, he wants to tell Peter. And he blames himself when Peter turns up guns blazing at the house just before the raid ("Shit"). It's almost as it he suspected Peter would do this and couldn't find a way to stop him. He's not really mad. The scenes then, during and after the raid, with Andy and Peter are just so touching, Andy coming clean, looking relieved more than anything. And the last scene, with Peter calling him "Sir", assurring him he still has Peter's respect, is lovely. |
| Season Three | |
| Under World | |
| slashiness:
9/10 Adherence to novel: 6/10 |
Ellie having a fling with a miner, but being that her husband spends all his time with his boss, who can blame her? Andy's concern for his inspector runs through the episode as it runs through the book, and although the end is changed, it's no less touching. Andy goes into the mine, telling Wieldy, "He's my lad, isn't he? I've put a lot of time into his educated and training." He shouts for Peter in a voice rough with emotion and when he finds him he almost loses him. Seeing them sitting on the edge, Andy holding Peter tightly, reassuring as best he can, is a wonderful moment between them both. There's a line in the book, a Chief Inspector warning Peter about Ellie's involvement and the press and the promotional board, and he concedes, "Ok, I know Big Andy loves you...." They've come a along way since their debut together and this episode feels like a turning point. |
| Child's Play | |
| slashiness:
10/10 Adherence to novel: 5/10 |
This is Wieldy's episode. He's fighting his own nature while falling for a lad who may or may not be dangerous to know. Dalziel, it turns out, has known about his sergeant from the beginning, but Peter hasn't put two and two together and when he finds out about his friend's sexual preferences he does a passable impression of a shocked goldfish. DCC Raymond is after homosexual blood and in an effort to protect Wieldy, Dalziel responds by coming on first to Raymond himself and then Peter. The final scene is wonderful, and that added to Wieldy's kiss - something the BBC seem to have invented as it isn't in the book - makes this a slasher's dream. They do however miss out Andy going around to Wieldy's the night of his confession to get pissed with him, and his explanation to Wieldy, "Peter'll come and see you tomorrow. I told him to go straight home. He's so full of guilt at not being any use to you, he'd probably offer you his bum in attonement if he came tonight, and that'd do none of you any good." Not a bad image.... |
| Bones And Silence | |
| slashiness:
5/10 Adherence to novel: 4/10 |
There are a couple of things that the episode doesn't capture from the book. Peter's utter desperation to find his suicide victim, as well as the subtley of the suicide itself, is lost. His loyalty and need to save Andy's reputation are also missing. The cast is fantastic though, and despite the many changes to the book, it's a great crime-driven episode. |
| The Wood Beyond | |
| slashiness:
5/10 Adherence to novel: 1/10 |
I was amazed when I watched this. I'd read the novel before hand and it was only checking the title that convinced me the episode was based on Reginald Hill's writings! A friend, Debbie, described this as 'Peter in meltdown'. His obsession over his grandfather's fate turns him inside out and almost gets him killed. Twice. It does however lead him to the same killer Andy's looking for, but you'd expect more from Dalziel when he walks into Wanwood house to find his favourite inspector bleeding and collapsed on the floor. Odd episode. |
| Season Four | |
| On Beulah Height | |
| slashiness:
7/10 Adherence to novel: 6/10 |
Back to the masterpieces of before. The closeness between Andy and Peter is underlined initially at the Pascoes' BBQ, then later with Andy's reaction to the news of Rosie's illness. A particularly atmospheric episode that draws you in and holds you in its world. The hug between Andy and Peter at the end is one of the most gorgeous moments on television ever. |
| Recalled To Life | |
| slashiness:
8/10 Adherence to novel: 6/10 |
It's as if Peter still believes his promotions are down to his obeying orders and not to Dalziel's influence. Not that he does as he's told, but as in Exit Lines he looks relieved when Andy comes back to him and asks for his loyalty. Once given, he's in as deep as Wieldy. The hospital scene is lovely - Peter playing detective for his boss. The book's scene at the airport (where as the episode took Andy to London and again failed to give him the woman of his dreams, the novel took him to New York) with Peter and Andy's reunion is wonderful, and Andy nicking Peter's car to give him the night with Ellie is more touching than words. |
| Time To Go | |
| slashiness:
7/10 Adherence to novel: n/a |
And so we leave Reginald Hill's books. Enter Andy's ex-wife, who wasn't what I thought she'd be - makes you wonder if she's what Hill ever imagined. Ellie's line to Peter about his reaction to her was another slash classic, "Jealous more like. She was there first, Sweetie." So Dalziel in meltdown as he faces his old emotions. But this is 'Dalziel and Pascoe' does 'Inspector Morse'. From the drugs and rave connection, through the odd teenagers, The Magic Flute playing, so many small details makes this perhaps the episode that's all over the place. |
| The British Grenadier | |
| slashiness:
7/10 Adherence to novel: n/a |
When I first saw this the end blew me away. The greatest moment in fictional television for me. The rest of the episode is stunning but not slashy. It's the end that moved me. Peter's cry of denial when Andy's shot drives through the heart of a slash writer. |
| Season Five - The BBC go insane | |
| A Sweeter Lazarus | |
| slashiness:
8/10 Adherence to novel: n/a |
When The X-Files writers chopped
off
Krychek's arm, there was a wonderful Blackadder-like cry from writers
- "He's only got one arm!" When the trailers started to run a
familiar cry went up - "They're living together!" It starts with the odd news that Peter hasn't visited Andy for three months. They never say, however, how long it's been since he was actually shot. I can't believe Peter never went to the hospital. Wieldy pushes Andy to ask, Peter reluctantly tells about he and Ellie and suggests Andy's sofa is comfortable. We never actually see the conversation, but Andy does tell his wayward WDC, "it's one thing Pascoe knowing I've got a heart, I don't want the rest of the nick finding out." Has he already moved Peter in with him? They seem to get closer as the episode moves on. This whole thing is lovely. |
| Cunning Old Fox | |
| slashiness:
9/10 Adherence to novel: n/a |
"Living with you's like living
in a small facist state." The kitchen scenes! The rabbit stew! The cosy breakfast! The lovely dinner! Despite their bickering like an old married couple ("That's the last time I cook for you, Peter Pascoe") they obviously aren't that unhappy living together. This is a classic. |
| Foreign Bodies | |
| slashiness:
6/10 Adherence to novel: n/a |
Proof that whenever Andy's away, Peter is a moping miserable git! Andy shoots off to the seaside for a shag while Peter tries to protect a lecturer who gets killed, or does he? Another odd one, with a very strange hint back to Dracula, but the last line - Andy telephoning Pascoe, is brilliant, "Peter, Andy. I'm coming home." |
| Above The Law | |
| slashiness:
10/10 Adherence to novel: n/a |
Why they just don't jump into bed together I will never know. A gift. Ellie once again drops a huge hint to Andy telling him that he's the problem with their marriage. Andy's line, "Much as I love your husband, he's the messiest git I know" is akin to some of the wonderful lines in the books. Peter's referring to Andy's place as 'home', Peter saving Andy's life and finally finding something to put a smile on his face. And then that final scene... only one thing missing really, a first kiss.... I guess that's up to the slash writers..... |
| Season
Six- a slight disaster |
|
| Walls Of Silence |
|
slashiness: 9/10 Adherence to novel: n/a |
The potential in this
one is huge, and it did
spark the short PWP 'One Touch', but the writers seem to be scared of
actually doing anything that might be misconstrude and they've gone
completely to the other extreme of the previous series. Don't
they read Hill's books? These two like one another, they share
the same passions. They're close. This was like watching
two strangers. MAR 2005 - RE-WATCH I think we were spoilt by the previous series, because in a second, tentative watch this was excellent. Peter sticks at Andy's side through Andy's usual prickly response to the stress. There are a couple of lovely scenes between them in Andy's house - Peter trying his best at comfort and although there are times he should have kept his mouth shut he remains loyal to Andy and they're together at the end. It's lovely this one. I've no idea what I was thinking before. |
| Home Truths |
|
slashiness: 7/10 Adherence to novel: n/a |
Okay
- ouch. The first part of this is really hard to watch. The
massive argument between Peter and Andy is indicitive of the way the
writers of this series have behaved. They don't know the
characters so they do this. I don't know where 'Some beautiful scenes between the two, scenes of comfort,' came from. But the end - with Peter leaving his girlfriend saying he needed to sort things out with Andy and Rosie, gave us all hope that finally the BBC were going to give us something more between the guys. |
| Secrets of the Dead |
|
| slashiness:
7/10 (tbc) Adherence to novel: n/a |
Enter and exit the son
Andy never had.
Lots of potential and much disappointment, although it does have
its moments. It's difficult to know what to say about the rest of
season six. A lot of tension between the guys, a lot of arguing,
bickering. A lot of distrust which comes from out of nowhere and
doesn't seem to be based on anything that's come before. Some
reviews in the TV guides and magazines were hinting at slashy stuff but
the whole series offered nothing more than shouting between them. MAR 2005 - RE-WATCH Lovely start - with Andy and Peter wrapping presies for Rosie and then a gorgeous chat between them about Peter going out to Florida. Exit Peter and enter a DI - Mark - Dalziel's son. I can actually accept this, Dalziel certainly 'put it about a bit' when he was younger. Surprised he found the time to marry! Then Mark is killed and Peter returns. (Has anyone ever seen them in the same room at the same time...?) He's obviously had a hard trip (which we only find out about much, much later) (review in progress, Easter Day 05) |
| Truth and
Consequences |
|
| slashiness:
8/10 Adherence to novel: n/a |
Really, there's
nothing else to say - except
that there was a promise of a new series later in 2002! FEB 2005 - Re-Watch Okay, so very slashy and actually not too bad. Somehow Andy has found some paperwork that states Peter's thinking about a transfer to Edinburgh, only Peter's saying he hasn't even applied yet and *of course* he isn't going to go! Peter's name keeps coming up in conversation between Andy and Susan - "The young lad who shares my house says I'm the most domesticated man he knows" When Peter arrives at Susan's house and there's a CD playing, the following conversation: "Do you want me to turn this down?" "No." "You like jazz?" "My boss does. I'm still learning to appreciate it." Susan asks Andy if he's lonely and he says he's got Peter. So sweet! Peter hangs around and either he's interested himself (a three-some, ummm) or he's pissed that Andy's not coming home because he acts jealous enough. Like I said, not a bad episode but after all this time, Peter should be trusting Andy. Even I could work out what had happened from the evidence Peter dug up, yet he jumps straight to the wrong conclusion. Mind you, with Andy still smarting from the transfer idea it's little surprise he doesn't feel like telling Peter the truth. "What's going on, Andy? I feel like I'm being squeezed out." Awww.... I think I've nailed it watching this one. Peter wants to be a part of Dalziel's life, so much that when he finds out something Andy hasn't told him it hurts. He squares up to his boss because he wants to be told the truth, that's all. He doesn't think Andy's a bad man, he just wants to know. Andy's the one who sent him to the archives, he has to have known he'd find out all about what had happened. |
| Malcolm Bradbury's
genisus, tender touch was
sorely missed, as I'm sure he will be |
|
| Season
Seven - new writers, a fresh start |
|
| The Unwanted |
|
| slashiness:
9/10 Adherence to novel: n/a |
We're back with the
Peter and Andy we know and
love! The writers have been changed and it shows. Even when
Andy's accusing Peter's Mum and Dad of murder, all they manage is a
friendly bicker in the back garden. The moment with Peter walking
in on Andy and Wieldy waltzing is a treasure! But it's the end
that captures the closeness between them. Peter's still keeping a
lot of his feelings to himself, and Andy's letting him off the hook too
much, but it's gorgeous and my
hopes are high for the next couple of weeks. FEB 05 I've just rewatched this one and noticed something amazingly slashy at the end. Andy has his heart attack in the field and Peter's torn - he knows his Dad's in trouble but he can't leave Andy to die. Andy tells him to go - that he'll never forgive himself if anything happens to his father. Peter tries to call for an air ambulance and he must manage to get through but he's having mobile signal difficulties. In the end he leaves Andy with the phone and promises he'll be back. Later, we see from Andy's POV, him being airlifted to hospital on the brink of death, with Peter saying, 'hang on in there, don't you die on me.' In the hospital, at the end, Wieldy and Bomber leave Peter and Andy alone (strategic withdrawal) and Peter starts with 'out there, in the field, when you told me to leave you....'. He's obviously unhappy with what Andy told him to do and with what he did. You have to wonder if he'd have ever been able to forgive himself if anything had happened to Andy. Andy tells him, 'I'm not family' and it's so obvious Peter wants to say more, but Andy tells him to get going, and to talk to his father because he won't always be around. There's again something left unsaid. But it's as if Andy knows what it is and just doesn't want to hear it. At least he knows how much he means to Peter now. He just has to admit he feels the same way! |
| Men Sana |
|
| slashiness: 7/10 Adherence to novel: n/a |
They've moved Peter
into a very modern
apartment, and Andy into a completely different house. Bad start.
Andy's got a 'Get Well Soon' card he's very fond of, but we never
find out who
it's from. Peter's obviously worried about him, and his anger at
Andy's smoking and working is tempered beautifully by clear affection
in his eyes. The 'Uncle Andy' thing is wonderful, and although
the plot was done by the Taggart crew years back, who's watching for
the murders anymore?!
It's the end that's fantastic. Having gotten rid of yet
another
girlfriend standing between them, Andy says so gently to Peter,
"There's
something though. When you're ready, Peter." What does he
need
to say? Will the BBC finally stop dicking around?! FEB 05 Who gave him the card??? There are some lovely looks between them in this :-) |
| Sins Of The Fathers |
|
| slashiness: 10/10 Adherence to novel: n/a |
WOOOOOOOOOOOOOOOOOOOOOOOOOOHHHHHHHHHHHHHHHOOOOOOOOOOOOOO!!! THIS is what we've been waiting for!!! Okay - so they're not leaping into bed together yet. But everything from Andy commenting that Peter hasn't got many friends and Wieldy's response, "he's just moved in, and before that, he had you." Through Peter's concern for Andy in the hospital, the gentle touch to the shoulder. To the end. To Peter ready to sacrifice himself for Andy. When he stepped in front of Andy, sheilding him from the shotgun, my muse was singing! This is FANTASTIC stuff, and we can only keep everything crossed that next week doesn't let us down. |
| For Love Nor Money |
|
| slashiness:
6.5/10 Adherence to novel: n/a |
And the BBC cock it
up. Muppets. If
I could take you back to the second episode of this series, and the
final quote: "There's something though. When you're ready,
Peter." This was *never* followed up. Still they've done
one thing right - they're filming 'Dialogues of the Dead' for
Christimas. There are moments of slashiness, but Andy's in
trouble, they're rowing again and there are too many threads left
hanging. After this long, Peter would TRUST Andy -
they lived together for two years! |
| 2002
Christmas Special - return to the
novels at last! |
|
| Dialogues of the
Dead |
|
| slashiness:
5.5/10 Adherence to novel: 7.5/10 |
EDWIN!!!!!!!!!!!!!!!!!!
We get Edwin - he's gorgeous! And even if
he's only on screen
for thirty seconds in the first one and a glimpse of him in the second
one.
No arguing between Peter and Andy, Peter following Andy around
like
a puppy, Andy taking Peter to the gallery opening as his partner!
It's
great - wonderful. One of my favourite novels and wonderfully
brought
to the screen with a stunning cast. And looking forward to more
EDWIN
in the future! |
| Season Eight - entertaining, not bad, just interesting |
|
| A
Game Of Soldiers |
|
| slashiness: 9.5/10 Adherence to novel: n/a |
Lovely
:-) And it's
about time. Andy and Peter continuously arriving at work together
in the same car, and Andy standing Peter up outside the pub is a
classic moment - Peter acting all hurt and making Andy feel terrible
until he comes clean and admits he knows Andy has a date.
Gorgeous episode :-) |
| The
Price Of Fame |
|
| slashiness: 7.5/10 Adherence to novel: n/a |
Peter
getting Andy back on the
case is just lovely :-) He spends most of this trying to
protect Andy, proud to stand by him, and then at the end promises to
wait while Andy tells the young girl's Mum they've found the
body. It's lovely this one. |
| Great
Escapes |
|
| slashiness: 6.5/10 Adherence to novel: n/a |
Colin
directs, so he's not in it all that
much. But he's cutting a bit close to the mark with the camera up
Dalziel's kilt in the morning! Lovely little tiff about who drives. "It's my car, Andy." and Dalziel repeating it, child-like, back to him. |
| Soft
Touch |
|
| slashiness: 2/10 Adherence to novel: n/a |
First
- Thank You SO Much to the wonderful person who sent this to me. So, what happened? A Game of Soldiers and The Price of Fame were lovely. The relationship between them, while not entirely peaceful, was at least what it should be. But in this, Peter's throwing insults and barbs, he's trying to get rid of Andy (and I don't fall for the theory that he's worried about him, not this time) after spending most of the start of The Price of Fame trying to get him back! None of this makes sense and there's no CONTINUITY in the writing. ::sigh:: D&P writers need to a) watch the previous episodes, b) read the novels, c) find a balance between relationship and plot. Which leads us quite nicely into the wonderous month that was..... season 9 |
| Season Nine - OH MY
GOD!!!!!!!!!!!!!!!!!!!!!! WOW!!!!!!!!!!!!!!!!!!
BRILLIANT!!!!!!!!!!!!!!!!!!!!!!!!!!!!! |
|
| Heads You Lose |
|
| part
I slashiness: redefined, 1,000,000/10 part II slashiness: 9/10 Adherence to novel: n/a |
MASSIVE SPOILERS!!! It's the ultimate hurt/comfort slashers plotline - one half of the pair is hurt, the other half is beside himself with worry. Lots of room for angst and confession. This is no exception. Peter drives into a concrete pillar during a police chase (someone not knowing their north from their south) and is rushed to hospital with a compound fracture to the leg. But worse than that he's unconscious (which is better than how he looked in the car - ie, dead) and there's no one answering the hospital's page for a CT scanner operator. Andy's called out and at first he does look calm, if worried. But as time goes on and he realises Peter's got a 50-50 chance of making it, he goes from concerned to approaching distraught. There's a gorgeous if disturbing moment when Peter's abandoned on a gurney in a deserted hospital corridor when he needs to be in Intensive Care. Andy - completely helpless - can only reassure him - 'I'm here now, Peter'. Finally he makes it onto a ward, still no scan, and Andy sits at his bedside, telling him to wake up. He recounts a story that Peter told him one day, after Peter had come back from seeing Ellie and Rosie (who now live in the states). Apparently Rosie's bike had developed a puncture but before Peter could fix it, Ellie's boyfriend had already got there first. Peter had gone to sit in his car and had just cried. He'd told Andy this one day when they were driving somewhere, and Andy tells Peter he's glad he chose to tell him. Later that night, he tells the doctor that Peter's not only a colleague but a friend, a unique friend. He says something like, 'there aren't many like Peter. In fact, I don't know any more like him.' He's still at Peter's bedside in the morning, and finally they've found a surgeon and a scanner operator. Enter the plot. There's some body parts floating around in the river and "Bez" (temporary sidekick #1) needs help. (Where's Wieldy? We miss Wieldy! This would have been PERFECT with Wieldy!) Peter's being wheeled off for his scan. Andy holds his hand and tells him he'll be back soon and to hang in there. It's a very lovely moment. Some plot happens but all we notice is that a) Andy's not bothered getting changed from the casual clothes he was wearing when they called him to the hospital and b) Andy's mind is definitely not on the job. Back at the hospital it's revealed that Peter has a subdural haematoma. The doc thinks he's too weak to cope with the operation to remove it, but the brain surgeon (neurology specialist - see, I do know the terms!) wants in! However, while Andy's there, Peter's condition deteriorates and they cart him off to theatre. Bez in turn carts Andy off back to the plot. But a couple of hours later there's another phone call. Andy goes rushing off to the hospital and finds a doctor and a nurse (Shannon <- temporary female love interest #1) bent over Peter. Desperately he asks what's wrong, obviously fearing the worst, but the doc backs up and Peter's awake and smiling. Andy almost falls apart, all tears, smiles and talking nonsense, overjoyed that Peter's okay, and our patient - if confused after almost dying - is smiling back. Gorgeous, gorgeous moment! After this, and with Peter making a steady but miraculous recovery through the rest of part I and part II, plot has to take over. Don't ask me what it is. Peter's slowly falling for temporary female love interest #1, and Andy's encouraging it, but it does become obvious that she isn't going to be able to live (for a start, she's not in next week's credits). And she doesn't. To make it worse, she's on the phone to Peter when her car hits a lorry. In the end it's just the two of them, as it always has to be. Andy's sprung Peter from the hospital and they stop at the new hospital construction site. Andy gets out of the car and goes to stand by the passenger side window where Peter sits. A: I'm really sorry about Shannon,
Peter. This is a very close moment, one of
the closest they've ever had. PS. Where's Wieldy?! |
| Dead Meat |
|
| part
I slashiness: 7/10 part II slashiness: 10/10 Adherence to novel: n/a |
This is just classic
line after classic line! Peter: have you cleared this with Geoff? Ellie: have you cleared this with Andy? touche. Peter to Andy: "Because we know so much about women, don't we?" Part I has the most gorgeuos scene ever between our guys - Andy's concern for peter even though he's trying to treat him normally. Like he didn't almost DIE last week. And this seems to be something the BBC have completely forgotten.... So if the car crash didn't kill him, getting eaten by a tiger might have.... This really is slashy, Peter's muttering about going to America to be with Rosie (Ellie being incidental), Andy's telling him he'll hate it, and on a couple of occasions basically tells Peter to screw the case and go to persuade Ellie to stay (so Peter doesn't leave presumably). The lines are just lovely and they feel like a couple in this one. It's gorgeous, despite the BBC keeping us living on our nerves at the moment !! |
| The Dig |
|
| part
I slashiness: 6/10 part II slashiness: 11/10 Adherence to novel: n/a |
What happened over the
Sunday night?? They definitely made up :-) A very strange experience. Part I, they're bickering and arguing as usual. Part two, shown the next night, they've more than made up. In part II they're very much together, closer, in each other's personal space. It's gorgeous to watch. The Temporary Love Interest (TLI) turns out to be a lesbian - that was a novel twist. But Peter must have known! And so the flowers he'd given her were a wind up of Andy... a brilliant moment, that, Peter almost running out of the office with Andy in hot persuit! Part I, Andy and Peter bickering about the file they have on Dr Ricks. Part II, Peter admits to shredding the file and what's Andy got to say? "Ordinarily that would be a disciplinary offence." Yeah, if you two weren't sleeping together! Part two is amazingly slashy. They're in each other's space, they're sharing looks, smiles, touches, confessions and whiskey. It's completely lovely and deserves more than 11/10! |
| Dust Thou Art |
|
| part
I slashiness: 7/10 part II slashiness: 7/10 Adherence to novel: n/a |
As for slashiness,
this one never takes off, although there are more than a couple of
lovely scenes between them, and more than enough inspiration for us
slash writers! There is a great scene at the end of the first part and start of the second part. They're sharing the pain, sharing the worry and finishing one another's sentences. It is an episode that makes you wonder about things like continuity and police procedure. Over on the other channel, Dr Hill had found four kidnap victims in the time it took Andy and Peter to find one. Let's talk about trauma. First - the miraculously flipping car. Andy and Peter seeing a car crashed and the driver lying dead on the ground some weeks (months) after Peter's own accident. This is not going to have no effect. This is going to bring it all flooding back and if that didn't - Peter driving at break-neck speed through the same concrete pillars he crashed into in the first episode - in the same make of car! - is going to. I won't say anything about the fact he shouldn't be driving, the after-effects of brain surgery or any of that stuff. But he CRASHED into a concrete pillar and ALMOST DIED. |
| Conclusion -
THANK YOU BBC!!!!!!!!! This was completely lovely - the best series yet. Andy looks amazing, he and Peter are lovely together. Please keep your writers for the next series (filming in Spring, airing same time next year) And a personal thank you to Beth for being right there every Sunday and Monday night. |
|
| Season Ten -
Amazing. What we've been waiting for. |
|
| Houdini's Ghost |
|
| part
I slashiness: 5/10 part II slashiness: 10/10 Adherence to novel: 1/10 (Good Morning, Midnight) |
Andy - "If you weren't
my best
friend, I'd have had you up on charges for that." Peter - "If you weren't my best friend, I wouldn't have cared enough to bother." Awwwwwwwww :-) |
| Glory Days |
|
| part
I slashiness: 8/10 part II slashiness: 8/10 Adherence to novel: n/a |
A date!
Seriously - after the affirmation of their relationship in the last
episode, they're heading out to a black tie dinner together with the
local football club. 'Dalziel and partner'? Nothing overt,
just that they're barely apart during this one |
| Wrong Place, Wrong
Time |
|
| part
I slashiness: 10/10 part II slashiness: 9/10 Adherence to novel: n/a |
Another date - this time a holiday in Amsterdam disguised as a police conference. When the nightmare begins, Peter's first instinct is to protect Andy and he doesn't stop for most of the episode. Even when cornered, Peter doesn't bring him in, just tells him that he's being followed and should watch himself. Even Peter's little fling with the police woman isn't serious - he happily leaves her standing without even a backwards wave to leave for home at Andy's side. Lovely. |
| Guardian Angel |
|
| part
I slashiness: 10/10 part II slashiness: 10/10 Adherence to novel: n/a |
They might as well be living together - it doesn't get any better than this. Rosie's back, and this time Andy and Peter are like a parental unit, buying her presies, looking after her welfare, worrying about her. Their love for one another burns out of this one. |
| A Death In The
Family |
|
| part
I slashiness: 3/10 part II slashiness: 3/10 Adherence to novel: n/a |
We don't know what happened! Sack the writer! Do they not watch the other episodes? This was a very low ending for what was a fantastic season! |
| Season Eleven - Keep
your eyes on the cars |
|
| The Cave Woman |
|
| part
I slashiness: 6/10 part II slashiness: 7/10 Adherence to novel: n/a |
Beth sums these
episodes up the best: There's a great bit when they're up there
with Andy getting a stone stuck in his shoe. He grabs Peter's shoulder
while he pulls his shoe off, then he hands the shoe to Peter and
continues hanging on to him while he brushes his sock off. Peter just
stands there, with this look on his face like this is something Andy
does all the time. She also is the one to have pointed out the
car situation - Peter isn't only on the insurance of Andy's car, he has
his own keys to it. And they only ever have his or Andy's car
with them during the day - preumably leaving the other one parked up in
front of the house in the morning.... There's a lovely moment when Peter freely admits to Andy that it hurts when someone else takes over the role of parenting your child, continuing the thread that Peter will always talk to Andy about his problems with his estranged family. This episode has to be marked - Lateef's death was an unexpected shock. He was growing on us episode by episode, starting at least to fill the gap left by Wieldy, and his presence is missed. It does, however, give us this beautiful conversation in the car: Andy: Why don't you say what's on your mind, Peter. |
| Fallen Angel |
|
| part
I slashiness: 9/10 part II slashiness: 10/10 Adherence to novel: n/a |
It should perhaps be
noted that D&P will next week be replaced with the new series of Spooks.
It should be noted because this episode seems to be inspired by those
writers.... All going along quietly, nice plot, good strong cast, Peter and Andy in that odd balance they have - Peter still running interference between Andy and the rest of the team. Andy's in full team-protection mode, something that goes out of the window when a small plane crashes right in front of them. Peter in his survivor-guilt-trip-way rushes to drag the pilot out of the plane and Andy helps. They drag him away from the burning plane, then Andy sees someone else inside, rushes back, to the sound of Peter yelling "NO" and the plane exploding.... ...and Peter desperately reassurring himself that Andy's alive by touching him alot. |
| The Demons on Our Shoulders |
|
| part
I slashiness: 6/10 part II slashiness: 5/10 Adherence to novel: n/a |
Dubious start with Peter not
inviting Andy to his birthday dinner and then Andy being all hurt when
he finds out, understandably. But although we have this dodgy start, their constant disregard for each other's personal space is just as lovely, there's no arguing and Peter lets him get away with everything, including smoking in the building when he isn't allowed to by law.... Weird story, weird characters, and there's a few obvious places for the plot to go to get personal to Andy and Peter. I get the feeling if the writer doesn't go there, the fanfic writers might. So this one, while not overly slashy (so far, part 1), is inspiration. |
| Project Aphrodite |
|
| part
I slashiness: tbc part II slashiness: tbc Adherence to novel: n/a |
Pictures Of Perfection
I have to mention this novel. It's
one I'd have loved to see
done by the BBC because I love the way they've done the episodes.
This is Wieldy's finest hour. This is when he meets the wonderful
Edwin who we never see on tele. This is Enscombe, where Wieldy
moves to, in with Edwin. This is the most amazing book I've ever
read, start to finish. Brilliant writing, brilliant plotting and
gorgeous characters. Not so much Peter and Andy, but enough of
them both to keep us happy and for Wieldy fans this is the book to
read. If they're stuck for new episodes, this would make a
classic one.
Note - Warren Clarke and Colin Buchanan explained this as the
book is mainly Wieldy, they wouldn't do it, even before David Royle
left. Understandable but still a shame.